abstract art – Charlie Rees

The Iron Stone Ballerinas and the Polish Horses: Each Piece Has a History.

The mosaics highlighted in this post are from my series, Each Piece Has a History.

I found four, old dinner plates while browsing through several thrift shops in Chicago, years ago. The plates were sitting on a shelf, collecting dirt. Although dirty and showing signs of use, the plates were in good shape, just needed cleaning. The blue rims were attractive, caught my eye and I thought they would make interesting frames for stained glass mosaics. I bought them, at $2.00 a plate, a bargain.

The Polish Horses

These two mosaics are set in dinner plates that were made in Poland for Crate and Barrel. The bold, blue band on the rim enhances the mosaic.

The Iron Stone Ballerinas

The Iron Stone Ballerinas are set in dinner plates, sapphire iron stone, made in Japan. The blue rims are attractive, hand painted and compliment the mosaic.

Each Piece Has a History: The Mysterious, Old Brass Plate

I bought this old brass tray several years ago at the Ark, nearby my old studio in Chicago. It was my favorite junk store; a great place to search for vintage objects that have been discarded and abandoned. Many items, like the old brass tray, are dirty, tarnished or scratched. But with a good cleaning and a little care, they can be revived.

I cannot find a manufacture’s mark on the plate. Where and when it was made is a mystery. However, somebody, somewhere, at some time held and used the old brass plate. It has a history.

Before giving a new life to the plate after cleaning, I worked with a series of old, quick sketches that I did from photos of ballet dancers . The drawings were done for a show that was canceled due to the pandemic. I have reduced the sketches to simple lines, hoping to capture grace and movement.

Work on the mosaic, giving the old brass plate a facelift, starts with glass selection. After the glass and colors have been chosen, the process of cutting, fitting and gluing begins. This is a slow process as I am not working with a set template. It is a bit like working a painting. I may have a palette in mind but will decide to make changes as the mosaic evolves.

The old brass plate’s facelift is completed. It has a new look, character and its’ own identity.

Norfolk’s Horse: Each Piece Has a History.

This vintage silver plated tray, like many of my other finds, was sitting on a shelf in a thrift shop, along with other trays, neglected. It was tarnished, showing its’ age. Despite the visual signs of usage, the flat surface of the tray could be cleaned and polished to act like a mirror. The rim was wide, making an elegant frame for a mosaic.

After the tray was cleaned, I did several studies before starting the work on the mosaic. I didn’t follow the color schemes, but settled on the horse image. And then gave a name to the tray, Norfolk’s Horse, after the mark (Norfolk Rogers)on the back of the tray.

After the tray was cleaned, the image selected, the process of building the mosaic begins, piece by piece. Swipe left or click on the arrows, to see the mosaic evolve, from a clean surface to a finished stained glass mosaic.

Norfolk’s Horse in my old studio, in Chicago, sitting on the shelf with a few of his friends, enjoying the sunshine.