Norfolk’s Horse: Each Piece Has a History.

This vintage silver plated tray, like many of my other finds, was sitting on a shelf in a thrift shop, along with other trays, neglected. It was tarnished, showing its’ age. Despite the visual signs of usage, the flat surface of the tray could be cleaned and polished to act like a mirror. The rim was wide, making an elegant frame for a mosaic.

After the tray was cleaned, I did several studies before starting the work on the mosaic. I didn’t follow the color schemes, but settled on the horse image. And then gave a name to the tray, Norfolk’s Horse, after the mark (Norfolk Rogers)on the back of the tray.

After the tray was cleaned, the image selected, the process of building the mosaic begins, piece by piece. Swipe left or click on the arrows, to see the mosaic evolve, from a clean surface to a finished stained glass mosaic.

Norfolk’s Horse in my old studio, in Chicago, sitting on the shelf with a few of his friends, enjoying the sunshine.

Author: Rees

I am a Chicago artist, painter and visual poet.

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